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Πέμπτη 21 Σεπτεμβρίου 2017

Scholar : Performance Research, Volume 22, Issue 3, May 2017 is now available online on Taylor & Francis Online

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Performance Research, Volume 22, Issue 3, May 2017 is now available online on Taylor & Francis Online.

On Proximity

This new issue contains the following articles:

Editorials

Editorial
Ben Cranfield & Louise Owen
Pages: 1-6 | DOI: 10.1080/13528165.2017.1353246


Original Articles

Performing 'Posthuman' Spectatorship
Digital proximity and variable agencies

William W. Lewis
Pages: 7-14 | DOI: 10.1080/13528165.2017.1348590


The Aura of the Aural
Ella Finer
Pages: 15-19 | DOI: 10.1080/13528165.2017.1348586


Man Digs Pond: Performing social labour as a poetics of dwelling
A twenty-four-hour live performance · 30 November 2013–1 December 2013 La Comédie de Reims, Champagne-Ardenne, France · Festival Reims Scènes d'Europe

Bruno Roubicek
Pages: 20-22 | DOI: 10.1080/13528165.2017.1348651


Proximity and the Viewer in Contemporary Curating Practices
Deborah Schultz
Pages: 23-29 | DOI: 10.1080/13528165.2017.1348657


The Ethics of Mislocalized Selfhood
Proprioceptive drifting towards the virtual other

Liam Jarvis
Pages: 30-37 | DOI: 10.1080/13528165.2017.1348587


More than Touching with the Eyes
Proximity and puppet-theatre-for-one

Caroline Astell-Burt
Pages: 38-41 | DOI: 10.1080/13528165.2017.1346978


Governing by Proximity
On distance and proximity in the criminal trial

Erik Mattsson
Pages: 42-48 | DOI: 10.1080/13528165.2017.1348593


A Director in Search of a Narrative
Reality-testing in Katie Mitchell's Cleansed

Leah Sidi
Pages: 49-56 | DOI: 10.1080/13528165.2017.1348659


Intimate Listening
Peader Kirk, Teoma J. Naccarato & John MacCallum
Pages: 57-60 | DOI: 10.1080/13528165.2017.1348589


Wheatcroft and Whythorne's 'Passports in Rhyme'
Place in seventeenth-century village performance

Susan Wiseman
Pages: 61-68 | DOI: 10.1080/13528165.2017.1348667


Getting Up-close and Personal with Aunt May and Uncle Jim
Some thoughts on how to deal with your audience in the 1960s
| Open Access
Patrick van Rossem
Pages: 69-76 | DOI: 10.1080/13528165.2017.1348663


Some Bodies
Distance, separation and ambivalence in Nicola Conibere's Assembly

Nicola Conibere
Pages: 77-84 | DOI: 10.1080/13528165.2017.1346989


A Manifesto to Decolonise Walking
Approximate steps

Sharanya
Pages: 85-88 | DOI: 10.1080/13528165.2017.1348596


Proximity and Dissonance in Internet-situated Performance
Rhiannon Armstrong's International Archive of Things Left Unsaid and Jane Frances Dunlop's charisma (for jbm & ml)

Jane Frances Dunlop
Pages: 89-97 | DOI: 10.1080/13528165.2017.1346993


You, The Public
Grammars of address in Stewart Lee's stand-up

Emma Bennett
Pages: 98-104 | DOI: 10.1080/13528165.2017.1346984


'When "Lady in Red" Plays, Dance with the Person Next to You'
The politics of proximity in Kim Noble's You're Not Alone

Poppy Corbett
Pages: 105-113 | DOI: 10.1080/13528165.2017.1346990


The Ballad of Isosceles
Alison E. Matthews
Pages: 114-117 | DOI: 10.1080/13528165.2017.1348591


Mind the Gap
Unfolding the proximities of the curatorial

Ben Cranfield
Pages: 118-126 | DOI: 10.1080/13528165.2017.1346992


The Trump is Present
Tony Perucci
Pages: 127-135 | DOI: 10.1080/13528165.2017.1348607


REVIEWS

The Way You Look (at me) Tonight
So-Rim Lee
Pages: 136-137 | DOI: 10.1080/13528165.2017.1348668


Decoding the Political Implications of Immersive Theatre
Jenny Roche
Pages: 138-140 | DOI: 10.1080/13528165.2017.1348670


Notes on Contributors

Notes on Contributors
Pages: 141-142 | DOI: 10.1080/13528165.2017.1356041


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