Scholar : Studies in Theatre and Performance, Volume 38, Issue 1, March 2018 is now available online on Taylor & Francis Online

@media screen and (max-width:400px) { .two .column, .two .left, .two .right{ max-width: 100% !important; } } @media screen and (min-width: 401px) and (max-width:620px){ .two .column, .two .left, .two .right { max-width: 100% !important; } }

The online platform for Taylor & Francis Online content Studies in Theatre and Performance, Volume 38, Issue 1, March 2018 is now available online on Taylor & Francis Online. This new issue contains the following articles: Editorial Editorial Kate Dorney Pages: 1-2 | DOI: 10.1080/14682761.2018.1436935 Articles The Arts Britain still Ignores? Jerri Daboo Pages: 3-8 | DOI: 10.1080/14682761.2017.1311719 'Struggling with the word strange my hands have been burned many times': mapping a migratory research aesthetics in arts-based strangeness research Katja Frimberger Pages: 9-22 | DOI: 10.1080/14682761.2016.1266583 National representations, national theatres: Aubrey Menen and the experimental theatre company Florian Stadtler Pages: 23-35 | DOI: 10.1080/14682761.2017.1303282 Diderot's body and cognitive science: sensation, impulse and action in performer training Rea Dennis & Lisa Lewis Pages: 36-47 | DOI: 10.1080/14682761.2016.1269510 Mental illness between subject and object: radical empathy and shared subjectivity in two contemporary performances Christopher Dingwall-Jones Pages: 48-61 | DOI: 10.1080/14682761.2016.1275470 Thinking through Nicola Elliott's Bruising (2014) Sonja Smit Pages: 62-77 | DOI: 10.1080/14682761.2016.1269274 Narrative dysfunction in The Walworth Farce by Enda Walsh and On Raftery's Hill by Marina Carr Hannah Greenstreet Pages: 78-90 | DOI: 10.1080/14682761.2017.1304733 Book Reviews The late work of Sam Shepard Ana Fernández-Caparrós Pages: 91-92 | DOI: 10.1080/14682761.2016.1244977 Locating the audience: how people found value in National Theatre Wales Evelyn O'Malley Pages: 92-94 | DOI: 10.1080/14682761.2016.1244978 Contemporary plays by African American women: ten complete works Cindy Rosenthal Pages: 94-95 | DOI: 10.1080/14682761.2016.1244979 Acts and apparitions: discourses on the real in performance practice and theory, 1990–2010 Jenn Stephenson Pages: 96-97 | DOI: 10.1080/14682761.2016.1244980 Beckett's creatures: art of failure after the Holocaust Rhys Tranter Pages: 97-98 | DOI: 10.1080/14682761.2016.1244981 Theatre of real people: diverse encounters at Berlin's Hebbel am Ufer and beyond Liz Tomlin Pages: 98-100 | DOI: 10.1080/14682761.2016.1252539 Wilde times: Patricia Wilde, George Balanchine and the rise of New York City Ballet Geraldine Morris Pages: 100-101 | DOI: 10.1080/14682761.2016.1253229 To update which email alerts you receive, manage your alerts within the My Account area. Unsubscribe from new content alerts for this journal (both new issue and latest article notifications) with one click. If you need any further help, please contact us at support@tandfonline.com Please do not reply to this email. To ensure that you receive your alerts and information from Taylor & Francis Online, please add "alerts@tandfonline.com" and "info@tandfonline.com" to your safe senders list. Taylor & Francis, an Informa business. Taylor & Francis is a trading name of Informa UK Limited, registered in England under no. 1072954. Registered office: 5 Howick Place, London, SW1P 1WG.