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Τετάρτη 11 Απριλίου 2018

Scholar : ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, Volume 31, Issue 2, April-June 2018 is now available online on Taylor & Francis Online

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Original Articles

Of Blind Mice, Bald Mice, and Bawkie-Birds: Euphemism and Early Names for the Bat
William Sayers
Pages: 69-72 | DOI: 10.1080/0895769X.2017.1375398


Elizabeth Drury as "druery" in John Donne's "A Funeral Elegy"
Kathryn Walls
Pages: 73-75 | DOI: 10.1080/0895769X.2017.1390727


"Low as your Charlotte is fallen" × 2 in Susanna Rowson's Charlotte Temple and Tom Wolfe's I Am Charlotte Simmons
David McCracken
Pages: 76-81 | DOI: 10.1080/0895769X.2017.1395727


Boons, authority, and imagination: A reading of "The World Is Too Much with Us"
Tianyu Ma
Pages: 82-87 | DOI: 10.1080/0895769X.2017.1385377


Christina Rossetti, George Herbert, and the Uses of Devotional Wit
Kevin A. Morrison
Pages: 88-92 | DOI: 10.1080/0895769X.2017.1379380


Middlemarch, De Quincey, and the Casaubons
Emma Rayner
Pages: 93-95 | DOI: 10.1080/0895769X.2017.1391063


Manipulation as Single Effect: The Outcome of Poe's Improvisation of Power in Detective Tales
Zahra Panahi Naeeni & Zohreh Ramin
Pages: 96-100 | DOI: 10.1080/0895769X.2017.1369862


Remember Port Royal: Acadian pseudo-history and Jansenism in Henry Ketcham's annotated Evangeline (1900)
Jason M. Moreau
Pages: 101-104 | DOI: 10.1080/0895769X.2017.1379381


Babylon or Belladonna? Yet Another Possible Echo of the Bible in The Waste Land II: ll. 77–85
Sukhbir Singh
Pages: 105-110 | DOI: 10.1080/0895769X.2017.1396530


Chineseness in Marianne Moore's "Nine Nectarines"
Haiyan Liu & Joan Qionglin Tan
Pages: 111-117 | DOI: 10.1080/0895769X.2017.1387850


Catch-22: A Nod to Modernism
Meichen Liu
Pages: 118-122 | DOI: 10.1080/0895769X.2017.1374161


The Political Subject Is a Lover Not a Fighter: Reading Chuck Palahniuk's Fight Club as a Love Story
Jeremy De Chavez
Pages: 123-131 | DOI: 10.1080/0895769X.2017.1369863


The Ethics of Representation: Punctum Language, Evental Photography, and Affective Scenography in Howard Barker's Drama
Alireza Fakhrkonandeh
Pages: 132-143 | DOI: 10.1080/0895769X.2017.1373327


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