Editorials Editorial
Maria M. Delgado, Maggie B. Gale & Dominic Johnson http://ift.tt/2uBRXQN
Pages: 153-154 | DOI: 10.1080/10486801.2017.1341236
Notes on Contributors Notes on Contributors
Pages: 155-157 | DOI: 10.1080/10486801.2017.1320089
Articles Ladies and Gentlemen Follow Me, Please Put on Your Beards: Risk, Rules, and Audience Reception in National Theatre Wales
Kirsty Sedgman
Pages: 158-176 | DOI: 10.1080/10486801.2017.1300153
Recomposing Genet: Analysing the Musicality of playing 'the maids'
Adrian Curtin http://ift.tt/2uBRYUR
Pages: 177-194 | DOI: 10.1080/10486801.2017.1298097
Colors Like Knives: Embodied Research and Phenomenotechnique in Rite of the Butcher |
Ben Spatz http://ift.tt/2uBRZrT
Pages: 195-215 | DOI: 10.1080/10486801.2017.1300152
From Grotowski to La Vie Bohème: Aesthetics, Performance Pedagogy, and the Taiwanese Body after U Theatre
Liang Peilin
Pages: 216-230 | DOI: 10.1080/10486801.2017.1298098
Ka maumahara tonu tatou ki a ratou: Invoking our Forefathers in All our Sons1
Nicola Hyland
Pages: 231-244 | DOI: 10.1080/10486801.2017.1298590
The Possibilities of Contemporary Dialectical Theatre: The Example of Representing Neonazism in Germany
David Barnett
Pages: 245-262 | DOI: 10.1080/10486801.2016.1216407
Documents The Pā Collective: Developing Dramaturgical Intersections, Collaboration, and Performing Layers of Place Post-Empire
Carol Brown & Fiona Graham
Pages: 263-274 | DOI: 10.1080/10486801.2017.1298099
Puppets, Puppeteers, and Puppet Spectators: A Response to the Volkenburg Puppetry Symposium
Matthew Isaac Cohen
Pages: 275-280 | DOI: 10.1080/10486801.2017.1298100
Reviews Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics edited by Sirkku Aaltonen and Areeg Ibrahim
Faisal Hamadah
Pages: 281-288 | DOI: 10.1080/10486801.2017.1311079
A History of Japanese Theatre edited by Jonah Salz
Glenn Odom
Pages: 282-283 | DOI: 10.1080/10486801.2017.1311081
Tactical Performance: The Theory and Practice of Serious Play by L. M. Bogad
Jason Price
Pages: 283-284 | DOI: 10.1080/10486801.2017.1311082
Meyerhold and the Cubists: Perspectives on Painting and Performance by Amy Skinner
Melissa Trimingham http://ift.tt/2uBU8UD
Pages: 285-286 | DOI: 10.1080/10486801.2017.1311083
New World Drama: The Performative Commons in the Atlantic World, 1649–1849 by Elizabeth Maddock Dillon
Michael Morris http://ift.tt/2uBS0Mt
Pages: 286-287 | DOI: 10.1080/10486801.2017.1311084
The Contemporary American Monologue: Performance and Politics by Eddie Paterson
Stephen Greer http://ift.tt/2uC5xni
Pages: 287-288 | DOI: 10.1080/10486801.2017.1311085
Backpages backpages 27.2
Pages: 289-302 | DOI: 10.1080/10486801.2017.1320102
Abstracts Abstracts
Pages: 303-306 | DOI: 10.1080/10486801.2017.1320092
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