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| The online platform for Taylor & Francis Online content | Forewords Foreword A Note from the Editors Mark Ledbury & Rachel Kent Pages: 1-1 | DOI: 10.1080/14434318.2017.1341282 Original Articles Stretching Out: Species Extinction and Planetary Aesthetics in Contemporary Art Susan Ballard Pages: 2-16 | DOI: 10.1080/14434318.2017.1333403 Colin McCahon and Imants Tillers: The Care of Small Birds – An Ecological Perspective Bridget Sutherland Pages: 17-32 | DOI: 10.1080/14434318.2017.1330116 Negotiating 'Chinese-Australian' Identity: Ah Xian's Dr John Yu (2004) and his China China Series (1998–2004) Alex Burchmore Pages: 33-53 | DOI: 10.1080/14434318.2017.1333397 'Pay Attention Mother Fuckers': Outlining a Strategy of Wordplay in Australian Indigenous Text-based Art Jacob G. Warren Pages: 54-67 | DOI: 10.1080/14434318.2017.1330677 Deserting Aboriginal Art Discourse Astarte Rowe Pages: 68-83 | DOI: 10.1080/14434318.2017.1333485 British Modernism from an Australian Point of View: Clarice Zander's 1933 Exhibition of British Contemporary Art Victoria Souliman Pages: 84-96 | DOI: 10.1080/14434318.2017.1336190 The 1970s: Curators Framing the Avant-Garde in Writing and Rewriting Art History Catherine Speck & Joanna Mendelssohn Pages: 97-112 | DOI: 10.1080/14434318.2017.1338132 Book Reviews Murujuga Marni: Rock Art of the Macropod Hunters and Mollusc Harvesters, by Ken Mulvaney Crawley, UWA Publishing CRAR + M Monograph Series, 2015, 410 pages, AU $49.99, Flexi-bound paperback. Reviewed by Helen McDonald Pages: 113-116 | DOI: 10.1080/14434318.2017.1333405 Allegories of Time and Space, Japanese Identity in Photography and Architecture, by Jonathan Reynolds Honolulu: University of Hawai'i Press, 2015, 316 pages, US$45, hardback. John Clark Pages: 117-120 | DOI: 10.1080/14434318.2017.1333394 Exhibition Review Ann Shelton's Dark Matter and the Expanded Archive, by Dark Matter Auckland Art Gallery Toi o Tamaki, 26 November 2016–17 April 2017. Robyn Maree Pickens Pages: 121-125 | DOI: 10.1080/14434318.2017.1333484 Miscellany Rejoinder to Review: Hilda Rix Nicholas and Elsie Rix's Moroccan Idyll, Art and Orientalism Jeanette Hoorn Pages: 126-128 | DOI: 10.1080/14434318.2017.1341283 Response to Rejoinder Roger Benjamin Pages: 129-129 | DOI: 10.1080/14434318.2017.1341287 Notes on Contributors Notes on Contributors Pages: 130-130 | DOI: 10.1080/14434318.2017.1341281 Corrigenda Corrigendum Pages: 131-131 | DOI: 10.1080/14434318.2017.1345299 | To update which email alerts you receive, manage your alerts within the My Account area. You can also unsubscribe from this alert with one click. If you need any further help, please contact us at support@tandfonline.com Please do not reply to this email. To ensure that you receive your alerts and information from Taylor & Francis Online, please add "alerts@tandfonline.com" and "info@tandfonline.com" to your safe senders list. Taylor & Francis, an Informa business. Taylor & Francis is a trading name of Informa UK Limited, registered in England under no. 1072954. Registered office: 5 Howick Place, London, SW1P 1WG. |
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