Scholar : Studies in Theatre and Performance, Volume 37, Issue 2, June 2017 is now available online on Taylor & Francis Online

@media screen and (max-width:400px) { .two .column, .two .left, .two .right{ max-width: 100% !important; } } @media screen and (min-width: 401px) and (max-width:620px){ .two .column, .two .left, .two .right { max-width: 100% !important; } }

The online platform for Taylor & Francis Online content Studies in Theatre and Performance, Volume 37, Issue 2, June 2017 is now available online on Taylor & Francis Online. Joe Orton This new issue contains the following articles: Editorial Introducing Orton: a history and a historiography Kate Dorney Pages: 165-172 | DOI: 10.1080/14682761.2017.1356660 Articles 9 August 1967/ the pyjamas Simon Shepherd Pages: 173-183 | DOI: 10.1080/14682761.2017.1328025 Sticky stories: Joe Orton, queer history, queer dramaturgy Stephen Farrier Pages: 184-204 | DOI: 10.1080/14682761.2017.1320066 'We cannot all be masters, nor all masters/Cannot truly be follow'd': Joe Orton's Holiday Camp Bacchae – matters of class, genre and medium in The Erpingham Camp John Bull Pages: 205-220 | DOI: 10.1080/14682761.2017.1303291 A Last Hurrah? Joe Orton's Until She 'Screams', Oh! Calcutta! and the permissive 1960s Graham Saunders Pages: 221-236 | DOI: 10.1080/14682761.2017.1309835 Joe Orton and Shakespeare: collage, class and queerness Emma Parker Pages: 237-268 | DOI: 10.1080/14682761.2017.1309834 Through the closet with Ken and Joe: a close look at clothes, poses and exposure Kate Dorney Pages: 269-288 | DOI: 10.1080/14682761.2017.1333832 Book Reviews Soft is fast: Simone Forti in the 1960s and after Lesley Main Pages: 289-290 | DOI: 10.1080/14682761.2016.1215821 Queer dramaturgies: international perspectives on where performance leads queer Helen Deborah Lewis Pages: 290-292 | DOI: 10.1080/14682761.2016.1215048 Performing Grand-Guignol: playing the theatre of horror Geraint D'Arcy Pages: 292-293 | DOI: 10.1080/14682761.2016.1209917 Performance Adrian Curtin Pages: 293-295 | DOI: 10.1080/14682761.2016.1207401 Rethinking the theatre of the absurd: ecology, the environment and the greening of the modern stage Wendy Arons Pages: 295-297 | DOI: 10.1080/14682761.2016.1199376 To update which email alerts you receive, manage your alerts within the My Account area. You can also unsubscribe from this alert with one click. If you need any further help, please contact us at support@tandfonline.com Please do not reply to this email. To ensure that you receive your alerts and information from Taylor & Francis Online, please add "alerts@tandfonline.com" and "info@tandfonline.com" to your safe senders list. Taylor & Francis, an Informa business. Taylor & Francis is a trading name of Informa UK Limited, registered in England under no. 1072954. Registered office: 5 Howick Place, London, SW1P 1WG.