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Τετάρτη 18 Οκτωβρίου 2017

Scholar : Contemporary Music Review, Volume 36, Issue 1-2, February–April 2017 is now available online on Taylor & Francis Online

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Contemporary Music Review, Volume 36, Issue 1-2, February–April 2017 is now available online on Taylor & Francis Online.

Contemporary percussion explorations in twenty-first-century Australia

This new issue contains the following articles:

Introduction

Contemporary Percussion Explorations in Twenty-First-Century Australia
Louise Devenish
Pages: 1-4 | DOI: 10.1080/07494467.2017.1368176


Articles

On Listening: A Universe of Sound
Vanessa Tomlinson
Pages: 5-14 | DOI: 10.1080/07494467.2017.1368177


Expanded Percussion Notation in Recent Works by Cat Hope, Stuart James and Lindsay Vickery
Lindsay Vickery, Louise Devenish, Stuart James & Cat Hope
Pages: 15-35 | DOI: 10.1080/07494467.2017.1371879


Wording New Paths: Text-Based Notation in New Solo Percussion Works by Natasha Anderson, Erik Griswold, and Vanessa Tomlinson
Cat Hope
Pages: 36-47 | DOI: 10.1080/07494467.2017.1370793


TRANSDUCER: Microphones and Loudspeakers as Musical Instruments
Eugene Craig Ughetti
Pages: 48-63 | DOI: 10.1080/07494467.2017.1370795


Percussionist-Centred Design for Touchscreen Digital Musical Instruments
Charles P. Martin
Pages: 64-85 | DOI: 10.1080/07494467.2017.1370794


Composing with Ancient Sound Technology in the Twenty-First Century
Michael Askill
Pages: 86-101 | DOI: 10.1080/07494467.2017.1368174


Examining Australian Contemporary Percussion through 'things Uniquely Australian': Interviews with Louise Devenish, Claire Edwardes, and Vanessa Tomlinson
Aiyun Huang
Pages: 102-117 | DOI: 10.1080/07494467.2017.1368175


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