Foreword SOUNDS OF DISASTER
sonic encounters with blanchot
Adam Potts
Pages: 1-2 | DOI: 10.1080/0969725X.2018.1473919
Editorial Introduction BLANCHOT AND SOUND
Adam Potts
Pages: 3-9 | DOI: 10.1080/0969725X.2018.1473921
Original Articles THE HOMAGE TO DEBUSSY AT THE THÉÂTRE DES CHAMPS-ELYSÉES
Maurice Blanchot & Michael Holland
Pages: 10-13 | DOI: 10.1080/0969725X.2018.1473922
FROM DIALECTICS TO THE DIABOLICAL
adorno's "new music" and blanchot's "ars nova"
Vivian Liska
Pages: 14-27 | DOI: 10.1080/0969725X.2018.1473924
WHITE NOISE, ÉCRITURE BLANCHE
William S. Allen
Pages: 28-41 | DOI: 10.1080/0969725X.2018.1473925
PASSIVE NOISE
Adam Potts
Pages: 42-57 | DOI: 10.1080/0969725X.2018.1473926
AESTHETIC AUTOPHONY AND THE NIGHT
blanchot, kafka, kimsooja, burial
Stefanie Heine
Pages: 58-74 | DOI: 10.1080/0969725X.2018.1473927
AFFECTS, INDEXES AND SIGNS
will oldham and the authenticity of the voice in popular music
William Large
Pages: 75-87 | DOI: 10.1080/0969725X.2018.1473928
DISPERSION IN SOUND
François J. Bonnet & Alain Toumayan
Pages: 88-93 | DOI: 10.1080/0969725X.2018.1473929
BLANCHOT AND THE RESONANT SPACES OF LITERATURE, SOUND, ART AND THOUGHT
Greg Hainge
Pages: 94-111 | DOI: 10.1080/0969725X.2018.1473931
IN THE ABSENCE OF NOISE, NOTHING SOUNDS
blanchot and the performance of harsh noise wall
Paul Hegarty
Pages: 112-124 | DOI: 10.1080/0969725X.2018.1473933
THE CALL OF THE DISASTER AT THE BORDERLAND OF SILENCE
Leslie Anne Boldt
Pages: 125-143 | DOI: 10.1080/0969725X.2018.1473934
SONIC BOOMS IN BLANCHOT
David Appelbaum
Pages: 144-157 | DOI: 10.1080/0969725X.2018.1473935
RUMORS OF THE OUTSIDE
blanchot's murmurs and the indistinction of literature
Jeff Fort
Pages: 158-177 | DOI: 10.1080/0969725X.2018.1473936
ORPHEUS AND THE VANISHING NOTE
xenosonics, katabasis, daemonotechnics
Charlie Blake
Pages: 178-193 | DOI: 10.1080/0969725X.2018.1473937
Notes on the contributors notes on the contributors
Pages: 194-196 | DOI: 10.1080/0969725X.2018.1473938
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