Scholar : Shakespeare, Volume 14, Issue 3, September 2018 is now available online on Taylor & Francis Online

The online platform for Taylor & Francis Online content Shakespeare, Volume 14, Issue 3, September 2018 is now available online on Taylor & Francis Online. Special Issue on Shakespeare and Riot. Guest edited by Kate Flaherty and Edel Lamb This new issue contains the following articles: Introduction Introduction: Shakespeare and Riot Kate Flaherty & Edel Lamb Pages: 199-204 | DOI: 10.1080/17450918.2018.1499672 Criticism Passionate Uprisings in Shakespeare's Lucrece Ann Kaegi Pages: 205-215 | DOI: 10.1080/17450918.2018.1504814 "Cry Clubs for Prentices": (Not) Performing Riot in Thomas Dekker's The Shoemaker's Holiday Matt Williamson Pages: 216-225 | DOI: 10.1080/17450918.2018.1504813 Performance The Killing of John Lambe and the Subjectivity of the Crowd in the Early Modern Theatre John C. Higgins Pages: 226-235 | DOI: 10.1080/17450918.2018.1496135 Shakespearean Henry Kemble creates a "row" on the Australian Colonial Stage, 1846–1859 Nicole Anae Pages: 236-249 | DOI: 10.1080/17450918.2018.1496947 Review of Shakespeare's Julius Caesar (directed by Angus Jackson for the Royal Shakespeare Company) and Antony and Cleopatra (directed by Iqbal Khan for the Royal Shakespeare Company), at the Royal Shakespeare Theatre, Stratford-upon-Avon, 14 and 15 August 2017 Caroline Heaton Pages: 250-255 | DOI: 10.1080/17450918.2017.1402812 Review of Shakespeare's Romeo and Juliet (directed by Scott Wentworth for the Stratford Festival) at the Festival Theatre, Stratford, Ontario, 9 June 2017 Tom Ue Pages: 256-258 | DOI: 10.1080/17450918.2017.1402811 Review of Thomas Nashe's Summer's Last Will and Testament (directed by Perry Mills for Edward's Boys) at the Old Palace of John Whitgift School, 30 September 2017 Callan Davies Pages: 259-261 | DOI: 10.1080/17450918.2017.1421703 Review of Marlowe and Nashe's Dido, Queen of Carthage (directed by Kimberley Sykes for the Royal Shakespeare Company) at the Swan Theatre, Stratford-upon-Avon, 13 October 2017 Peter J. Smith Pages: 262-263 | DOI: 10.1080/17450918.2017.1421702 Review of Shakespeare's Coriolanus (directed by Angus Jackson for the Royal Shakespeare Company) at the London Barbican Theatre, Silk Street, 14 November 2017 Shani Bans Pages: 264-267 | DOI: 10.1080/17450918.2018.1428679 Review of James Shirley's The Cardinal (directed by Justin Audibert for Troupe) at the Southwark Playhouse, 5 May 2017 Dan Rubins Pages: 268-270 | DOI: 10.1080/17450918.2018.1429488 Review of Shakespeare's Titus Andronicus (directed by Blanche McIntyre for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 17 August 2017 Caroline Heaton Pages: 271-274 | DOI: 10.1080/17450918.2018.1450285 Critical Debates and Reviews The Bard is Dead, Long Live the Bard: Celebrations of Shakespeare's "Corpse" and "Corpus" in 2016 Jennifer Moss Waghorn Pages: 275-290 | DOI: 10.1080/17450918.2018.1503193 The New Oxford Shakespeare: The Complete Works: Modern Critical Edition; The New Oxford Shakespeare: The Complete Works: Critical Reference Edition; The New Oxford Shakespeare: Authorship Companion Lukas Erne Pages: 291-296 | DOI: 10.1080/17450918.2018.1496136 Of Levinas and Shakespeare: "To See Another Thus" Matthew J. Smith Pages: 296-297 | DOI: 10.1080/17450918.2018.1502804 To update which email alerts you receive, manage your alerts within the My Account area. Unsubscribe from new content alerts for this journal (both new issue and latest article notifications) with one click. If you need any further help, please contact us at support@tandfonline.com Please do not reply to this email. To ensure that you receive your alerts and information from Taylor & Francis Online, please add "alerts@tandfonline.com" and "info@tandfonline.com" to your safe senders list. Taylor & Francis, an Informa business. Taylor & Francis is a trading name of Informa UK Limited, registered in England under no. 1072954. Registered office: 5 Howick Place, London, SW1P 1WG.