Criticism What's So Funny 'Bout, Peace, Love, and Shakespeare?: A Peace Studies Approach to As You Like It
John S. Garrison & Kyle Pivetti
Pages: 298-311 | DOI: 10.1080/17450918.2016.1253603
The Unprodigal Prince? Defining Prodigality in the Henry IVs
Ezra Horbury
Pages: 312-325 | DOI: 10.1080/17450918.2017.1322132
"I loved my books": Shakespeare and the Modernity of Loving Literature
Annemie Brams & Raphaël Ingelbien
Pages: 326-340 | DOI: 10.1080/17450918.2017.1291535
"To be, or not to be": Shakespeare Against Philosophy
Jeffrey R. Wilson
Pages: 341-359 | DOI: 10.1080/17450918.2017.1343376
Black But Yet Fair: The Topos of the Black Beloved from Song of Songs in Shakespeare's Work
Camilla Caporicci
Pages: 360-373 | DOI: 10.1080/17450918.2017.1354061
Performance Beyond Indigenisation: Hamlet, Haider, and the Pain of the Kashmiri People
Sandra Young
Pages: 374-389 | DOI: 10.1080/17450918.2017.1351486
Goodbye Wave: Trevor Nunn's Twelfth Night – A Maritime Valediction
Peter J. Smith
Pages: 390-398 | DOI: 10.1080/17450918.2017.1381641
"What's in a name?": Romeo and Juliet and the Cibber Brand
Elaine M. McGirr
Pages: 399-412 | DOI: 10.1080/17450918.2017.1406983
Review of Shakespeare's Macbeth (directed by Adele Thomas for Tobacco Factory Theatres) at the Tobacco Factory, Bristol, 26 February 2018
Emily Derbyshire
Pages: 413-415 | DOI: 10.1080/17450918.2018.1518338
Review of Webster's The Duchess of Malfi (directed by Maria Aberg for the Royal Shakespeare Company) at the Swan Theatre, Stratford-upon-Avon, 13 March 2018, and Lyly's The Woman in the Moon (directed by Perry Mills for Edward's Boys) at Levi Fox Hall, King Edward VI School, 11 March 2018
Joseph F. Stephenson
Pages: 416-420 | DOI: 10.1080/17450918.2018.1467483
Review of Shakespeare's Much Ado About Nothing (directed by Simon Dormandy for Antic Face and Granville & Parham Productions) at the Rose Theatre, Kingston upon Thames, 21 April 2018
Ben Haworth
Pages: 421-423 | DOI: 10.1080/17450918.2018.1482951
Review of Shakespeare's Macbeth (directed by Rufus Norris) at the Olivier Theatre, National Theatre, London, 26 April 2018
Sally Barnden
Pages: 424-426 | DOI: 10.1080/17450918.2018.1482950
Review of Shakespeare's Romeo and Juliet (directed by Erica Whyman for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 8 May 2018
Diane Lowman
Pages: 427-429 | DOI: 10.1080/17450918.2018.1482953
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