Scholar : Studies in Theatre and Performance, Volume 38, Issue 3, November 2018 is now available online on Taylor & Francis Online

The online platform for Taylor & Francis Online content Studies in Theatre and Performance, Volume 38, Issue 3, November 2018 is now available online on Taylor & Francis Online. The Alternative Document This new issue contains the following articles: Articles Introduction Angela Bartram Pages: 219-223 | DOI: 10.1080/14682761.2018.1506968 Absence makes the heart grow fonder: rethinking intentional material loss in temporary art Sophie C. Kromholz Pages: 224-237 | DOI: 10.1080/14682761.2018.1507203 The Italic I – between liveness and the lens Emma Cocker & Clare Thornton Pages: 238-250 | DOI: 10.1080/14682761.2018.1507202 I am here – you are there: let's meet sometime Andrew Pepper Pages: 251-266 | DOI: 10.1080/14682761.2018.1504267 HOW – Heathrow Orchard Walks, observations and explorations of vibrant land Kate Corder Pages: 267-277 | DOI: 10.1080/14682761.2018.1506967 Documentation with the result of its own performing Una Lee Pages: 278-288 | DOI: 10.1080/14682761.2018.1504268 Constructions of the moving body: drawing and dancing Rochelle Haley Pages: 289-301 | DOI: 10.1080/14682761.2018.1506966 WRITING/ PAINTING/READING/DRAWING: something not yet, and yet, still something Steve Dutton Pages: 302-312 | DOI: 10.1080/14682761.2018.1507201 (Mythologies of) diving, flying and in-between Louise K Wilson Pages: 313-327 | DOI: 10.1080/14682761.2018.1509185 A sense of becoming and alienation: the retrospective in the work of Jordan McKenzie Angela Bartram Pages: 328-345 | DOI: 10.1080/14682761.2018.1503849 Book Review Applied theatre: international case studies and challenges for practice Kirsten Sadeghi-Yekta Pages: 346-347 | DOI: 10.1080/14682761.2017.1367893 Documenting performance: the context and processes of digital curation and archiving Sarah Bay-Cheng Pages: 347-348 | DOI: 10.1080/14682761.2017.1373483 A director's guide to Stanislavsky's active analysis R. Andrew White Pages: 349-350 | DOI: 10.1080/14682761.2017.1302142 Singing and dancing to The Book of Mormon: critical essays on the Broadway musical Sarah Whitfield Pages: 350-352 | DOI: 10.1080/14682761.2017.1284208 Semiotics and pragmatics of stage improvisation R. Keith Sawyer Pages: 352-353 | DOI: 10.1080/14682761.2017.1284207 Staging Beckett in Great Britain: Staging Beckett in Ireland and Northern Ireland Enoch Brater Pages: 354-355 | DOI: 10.1080/14682761.2017.1280940 British theatre companies 1980-1994 Karen Fricker Pages: 355-357 | DOI: 10.1080/14682761.2017.1278910 To update which email alerts you receive, manage your alerts within the My Account area. Unsubscribe from new content alerts for this journal (both new issue and latest article notifications) with one click. If you need any further help, please contact us at support@tandfonline.com Please do not reply to this email. To ensure that you receive your alerts and information from Taylor & Francis Online, please add "alerts@tandfonline.com" and "info@tandfonline.com" to your safe senders list. Taylor & Francis, an Informa business. Taylor & Francis is a trading name of Informa UK Limited, registered in England under no. 1072954. Registered office: 5 Howick Place, London, SW1P 1WG.