Editorial Editorial
Iain Boyd Whyte
Pages: 1-2 | DOI: 10.1080/17561310.2015.1095570
Introduction Introduction: Connecting Art Histories
Deborah Marrow & Joan Weinstein
Pages: 3-6 | DOI: 10.1080/17561310.2016.1246292
Articles "Art, Space, Mobility in Early Ages of Globalization": A Project, Multiple Dialogue, and Research Program
Hannah Baader, Avinoam Shalem & Gerhard Wolf
Pages: 7-33 | DOI: 10.1080/17561310.2015.1058024
Colonial, International, Global: Connecting and Disconnecting Art Histories
Kavita Singh
Pages: 34-47 | DOI: 10.1080/17561310.2015.1058022
Istanbul Connections
Çiğdem Kafescioğlu
Pages: 48-50 | DOI: 10.1080/17561310.2015.1058023
The Visual Making of the Harem
Saadet Özen
Pages: 51-58 | DOI: 10.1080/17561310.2015.1088220
Between Object(ive) and Subject(ive): Museum Narratives with Donald Preziosi
Nilay Özlü
Pages: 59-68 | DOI: 10.1080/17561310.2015.1088224
Materiality between Art, Science, and Culture in the Viceroyalties (16th–17th Centuries): An Interdisciplinary Vision toward the Writing of a New Colonial Art History
Gabriela Siracusano & Agustina Rodrîguez Romero (Universidad Nacional de San Martín, Buenos Aires)
Pages: 69-91 | DOI: 10.1080/17561310.2015.1058000
Hispano-Incaic Fusions: Ángel Guido and the Latin American Reception of Heinrich Wölfflin
Tristan Weddigen
Pages: 92-120 | DOI: 10.1080/17561310.2015.1058018
Latin American Art History: An Historiographic Turn
Andrea Giunta & George F. Flaherty
Pages: 121-142 | DOI: 10.1080/17561310.2016.1246293
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