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Τετάρτη 12 Απριλίου 2017

Scholar : Contemporary Theatre Review, Volume 27, Issue 1, February 2017 is now available online on Taylor & Francis Online

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Contemporary Theatre Review, Volume 27, Issue 1, February 2017 is now available online on Taylor & Francis Online.

Theatre, Perfomance, and the Amateur Turn

This new issue contains the following articles:

Notes on Contributors

Notes on Contributors
Pages: 1-3 | DOI: 10.1080/10486801.2017.1289014


Introduction

Theatre, Perfomance, and the Amateur Turn
Nadine Holdsworth, Jane Milling & Helen Nicholson
Pages: 4-17 | DOI: 10.1080/10486801.2017.1266229


Articles

The Sociable Aesthetics of Amateur Theatre
Erin Walcon & Helen Nicholson
Pages: 18-33 | DOI: 10.1080/10486801.2016.1262851


Noh Creativity? The Role of Amateurs in Japanese Noh Theatre
Diego Pellecchia
Pages: 34-45 | DOI: 10.1080/10486801.2016.1262848


'The Hills Are Alive with the Sound of Music': Musical Theatre at Girls' Jewish Summer Camps in Maine, USA
Stacy Wolf
Pages: 46-60 | DOI: 10.1080/10486801.2016.1262853


Amateur Science in Activist Performance: Towards a Slow Science
Simon Parry
Pages: 61-75 | DOI: 10.1080/10486801.2016.1262847


'Village Hall Work Can Never Be "Theatre"': Amateur Theatre and the Arts Council of Great Britain, 1945–56
Taryn Storey
Pages: 76-91 | DOI: 10.1080/10486801.2016.1262852


Performing Failure? Anomalous Amateurs in Jérôme Bel's Disabled Theater and The Show Must Go On 2015
Sarah Gorman
Pages: 92-103 | DOI: 10.1080/10486801.2016.1262849


Materialities of Amateur Theatre
Sarah Penny & Cara Gray
Pages: 104-123 | DOI: 10.1080/10486801.2016.1262850


Reviews

Performance and Media: Taxonomies for a Changing Field by Sarah Bay-Cheng, Jennifer Parker-Starbuck, and David Saltz
Acatia Finbow
Pages: 124-125 | DOI: 10.1080/10486801.2016.1268780


Queer Performance and Contemporary Ireland: Dissent and Disorientation by Fintan Walsh
Alyson Campbell
Pages: 125-126 | DOI: 10.1080/10486801.2016.1268781


It's All Allowed: The Performances of Adrian Howells ed. by Deirdre Heddon and Dominic Johnson
Antje Hildebrandt
Pages: 126-127 | DOI: 10.1080/10486801.2016.1268782


Voices fromWithin: Grotowski's Polish Collaborators ed. by Paul Allain and Grzegorz Ziółkowski, trans. by Justyna Drobnik-Rogers, Duncan Jamieson, and Adela KarszniaActing with Grotowski: Theatre as a Field for Experiencing Life by Zbigniew Cynkutis, ed. by Paul Allain and Khalid Tyabji, trans. by Khalid Tyabji
Halina Filipowicz
Pages: 128-129 | DOI: 10.1080/10486801.2016.1268783


Applied Theatre: International Case Studies and Challenges for Practice (Second edition) edited. by Monica Prendergast and Juliana SaxtonCritical Perspectives on Applied Theory edited by Jenny Hughes and Helen Nicholson
Maggie Inchley
Pages: 129-130 | DOI: 10.1080/10486801.2016.1268784


Performing Contemporary Indonesia: Celebrating Identity, Constructing Community ed. by Barbara Hatley
Matthew Isaac Cohen
Pages: 130-132 | DOI: 10.1080/10486801.2016.1268785


The Performing Subject in the Space of Technology: Through the Virtual, towards the Real ed. by Matthew Causey, Emma Meehan, and Néill O'Dwyer
Rosie Klich
Pages: 132-133 | DOI: 10.1080/10486801.2016.1268786


Backpages

Backpages 27.1
Pages: 134-148 | DOI: 10.1080/10486801.2017.1274147


Abstract

Abstracts
Pages: 149-151 | DOI: 10.1080/10486801.2017.1289021


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