Scholar : Shakespeare, Volume 13, Issue 2, June 2017 is now available online on Taylor & Francis Online

@media screen and (max-width:400px) { .two .column, .two .left, .two .right{ max-width: 100% !important; } } @media screen and (min-width: 401px) and (max-width:620px){ .two .column, .two .left, .two .right { max-width: 100% !important; } }

The online platform for Taylor & Francis Online content Shakespeare, Volume 13, Issue 2, June 2017 is now available online on Taylor & Francis Online. Special issue on Shakespeare and Architecture Guest-edited by Roy Eriksen This new issue contains the following articles: Introduction Introduction: The Architectures of Shakespeare Roy Eriksen Pages: 107-113 | DOI: 10.1080/17450918.2017.1324514 Criticism Shakespeare, Architecture, and the Chorographic Imagination Anthony W. Johnson Pages: 114-135 | DOI: 10.1080/17450918.2017.1324515 "We were all commanded out of the chamber" (5.2.5–6): Privacy and Architecture in The Winter's Tale Muriel Cunin Pages: 136-146 | DOI: 10.1080/17450918.2017.1324516 Coming into the Closet: Spatial Practices and Representations of Interior Space Melissa Auclair Pages: 147-154 | DOI: 10.1080/17450918.2017.1324517 Putting the "where" into "wherefore art thou": Urban Architectures of Desire in Romeo and Juliet Lois Leveen Pages: 155-163 | DOI: 10.1080/17450918.2017.1338307 Performance Women Dancing the Morris in Fletcher and Shakespeare's The Two Noble Kinsmen, 1613–2015 Elizabeth Zeman Kolkovich Pages: 164-179 | DOI: 10.1080/17450918.2017.1282975 Review of Shakespeare's King Lear (directed by Gregory Doran for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 29 September 2016, and the Barbican Theatre, London, 21 November 2016 Laura Higgins Pages: 180-183 | DOI: 10.1080/17450918.2017.1313304 Review of the Touring Production of Shakespeare's The Merchant of Venice (directed by Jonathan Munby for Shakespeare's Globe) at the Rose Theater, Lincoln Center Festival 2016 NYC, 21 July 2016 and Chicago Shakespeare Theater on the Navy Pier, 9 August 2016 Valerie Clayman Pye Pages: 184-186 | DOI: 10.1080/17450918.2017.1323790 Review of Shakespeare's A Midsummer Night's Dream (directed by Joe Hill-Gibbins for the Young Vic Ensemble) at the Young Vic, London, 2 March 2017 Sara Marie Westh Pages: 187-189 | DOI: 10.1080/17450918.2017.1323791 Critical Debates and Reviews Shakespeare | Cut: Rethinking Cutwork in an Age of Distraction Erin Sullivan Pages: 190-191 | DOI: 10.1080/17450918.2017.1297847 Listening Leaders Free Accessarticles from International Listening Association Lifetime Achievement AwardeesFind out more To update which email alerts you receive, manage your alerts within the My Account area. You can also unsubscribe from this alert with one click. If you need any further help, please contact us at support@tandfonline.com Please do not reply to this email. To ensure that you receive your alerts and information from Taylor & Francis Online, please add "alerts@tandfonline.com" and "info@tandfonline.com" to your safe senders list. Taylor & Francis, an Informa business. Taylor & Francis is a trading name of Informa UK Limited, registered in England under no. 1072954. Registered office: 5 Howick Place, London, SW1P 1WG.