@media screen and (max-width:400px) { .two .column, .two .left, .two .right{ max-width: 100% !important; } } @media screen and (min-width: 401px) and (max-width:620px){ .two .column, .two .left, .two .right { max-width: 100% !important; } }
| The online platform for Taylor & Francis Online content | Criticism Shakespeare's Changing Canon: Introduction Emma Smith Pages: 291-291 | DOI: 10.1080/17450918.2017.1402813 Apocryphal Thinking, or, Deuterocanonical Shakespeare James Purkis Pages: 292-308 | DOI: 10.1080/17450918.2017.1402814 "Scarlet Experiment!": The New Oxford Shakespeare and the Importance of Authorship Jakub Boguszak Pages: 309-312 | DOI: 10.1080/17450918.2017.1406394 Paratexts and Canonical Thresholds Harry Newman Pages: 313-317 | DOI: 10.1080/17450918.2017.1402815 Shakespeare's Metamorphosis John Jowett Pages: 318-332 | DOI: 10.1080/17450918.2017.1402816 Performance "Shakspeare, s'avançant": A Bard, the Nineteenth Century and a Tale of Two Cities' Theatres Andrew Hiscock Pages: 333-350 | DOI: 10.1080/17450918.2017.1356864 Review of Shakespeare's Richard III (Directed by Mehmet Ergen) at the Arcola Theatre, London, 13 April 2017 Gemma Miller Pages: 351-352 | DOI: 10.1080/17450918.2017.1354063 Review of Shakespeare's Julius Caesar (directed by Robert Hastie for Sheffield Theatres) at the Crucible, 31 May 2017 Susan Anderson Pages: 353-355 | DOI: 10.1080/17450918.2017.1354911 Review of Shakespeare's The Winter's Tale (directed by Declan Donnellan for Cheek by Jowl) at Theatr Clwyd, Mold, 25 March 2017 P. B. Roberts Pages: 356-358 | DOI: 10.1080/17450918.2017.1372512 Review of Shakespeare's Twelfth Night (directed by Emma Rice) at Shakespeare's Globe, 24 May 2017 Felicity Brown Pages: 359-361 | DOI: 10.1080/17450918.2017.1372511 Review of Shakespeare's Othello (directed by Richard Twyman for Shakespeare at the Tobacco Factory and Tobacco Factory Theatres) at the Tobacco Factory, Raleigh Road, Bristol, 21 February 2017; and Othello (directed by Ellen McDougall for Shakespeare's Globe) at the Sam Wanamaker Playhouse, New Globe Walk, London, 8 April 2017 Emily Derbyshire Pages: 362-364 | DOI: 10.1080/17450918.2017.1372513 Review of Shakespeare and John Fletcher's The Two Noble Kinsmen (directed by Blanche McIntyre for the Royal Shakespeare Company) at the Swan Theatre, Stratford-upon-Avon, 27 September 2016 Eleanor Collins Pages: 365-366 | DOI: 10.1080/17450918.2017.1397052 Critical Debates and Reviews Marking Shakespeare Claire M. L. Bourne Pages: 367-386 | DOI: 10.1080/17450918.2017.1363277 | To update which email alerts you receive, manage your alerts within the My Account area. You can also unsubscribe from this alert with one click. If you need any further help, please contact us at support@tandfonline.com Please do not reply to this email. To ensure that you receive your alerts and information from Taylor & Francis Online, please add "alerts@tandfonline.com" and "info@tandfonline.com" to your safe senders list. Taylor & Francis, an Informa business. Taylor & Francis is a trading name of Informa UK Limited, registered in England under no. 1072954. Registered office: 5 Howick Place, London, SW1P 1WG. |
| |
Δεν υπάρχουν σχόλια:
Δημοσίευση σχολίου