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Πέμπτη 1 Μαρτίου 2018

Scholar : Voice and Speech Review, Volume 12, Issue 1, March 2018 is now available online on Taylor & Francis Online

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Voice and Speech Review, Volume 12, Issue 1, March 2018 is now available online on Taylor & Francis Online.



This new issue contains the following articles:

Editor's Note

A Guide to Publishing in the Voice and Speech Review
Rockford Sansom
Pages: 1-10 | DOI: 10.1080/23268263.2018.1436750


Articles

La Casa de Inez: Investigating History, Voice, and Memory through Embodied, Site-Specific Storytelling
Elisa Gonzales
Pages: 11-23 | DOI: 10.1080/23268263.2018.1431384


Voice Training Methods in MFA Acting Programs
Preliminary Descriptive USA Data

Marianna Rubino & Celia Stewart
Pages: 24-34 | DOI: 10.1080/23268263.2018.1435543


The Birth Process and Voice Training: The Glorious Chorus
A Qualitative Pilot Inquiry

Kris Danford & Jenny Mercein
Pages: 35-48 | DOI: 10.1080/23268263.2018.1417097


A Diachronic Study of Rhythm in Shakespeare Performance
Cliff Miller & Aaron Carter-Ényì
Pages: 49-64 | DOI: 10.1080/23268263.2018.1438963


Accent Modification in the Teleconferencing Industry
Kate Nelson
Pages: 65-76 | DOI: 10.1080/23268263.2018.1407108


Forum

Vox Populi, Vox Dei (The Voice of the People is the Voice of God)
Wesley Enoch
Pages: 77-85 | DOI: 10.1080/23268263.2017.1398919


Vocal Traditions: Miller Voice Method
Scott Miller, John Patrick, Liam Joynt & Kristi Dana
Pages: 86-95 | DOI: 10.1080/23268263.2018.1435610


Vocal Traditions: Vibrant Voice Technique
Pamela Prather
Pages: 96-104 | DOI: 10.1080/23268263.2018.1429557


Paul Meier: My Journey to Now
Paul Meier
Pages: 105-115 | DOI: 10.1080/23268263.2018.1409944


Book Reviews

Acting Shakespeare is Outrageous: Playing the Bard for Beginners
Bob Gonzalez
Pages: 116-118 | DOI: 10.1080/23268263.2018.1424689


Public Speaking—From Preparation to Presentation: How to Become Confident, Relaxed and Meaningful
Megan Chang
Pages: 118-121 | DOI: 10.1080/23268263.2018.1424693


Shakespeare and Commedia Dell'arte: Play by Play
Krista Scott
Pages: 121-122 | DOI: 10.1080/23268263.2018.1424691


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