Scholar : Studies in Theatre and Performance, Volume 38, Issue 2, June 2018 is now available online on Taylor & Francis Online

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The online platform for Taylor & Francis Online content Studies in Theatre and Performance, Volume 38, Issue 2, June 2018 is now available online on Taylor & Francis Online. Real Animals on the Stage This new issue contains the following articles: Articles Introduction: real animals on the stage Teresa Grant, Ignacio Ramos Gay & Claudia Alonso Recarte Pages: 103-112 | DOI: 10.1080/14682761.2018.1451941 'A pleasant tragicomedy, the cat being scap't'?: William Sampson's The Vow Breaker (1636) and the instability of genre Teresa Grant Pages: 113-129 | DOI: 10.1080/14682761.2018.1451947 'Des singes, c'était le narcisse': class, imitation and performing monkeys in late-eighteenth century Paris Ignacio Ramos-Gay Pages: 130-148 | DOI: 10.1080/14682761.2018.1451946 Replacing injured horses, cross-dressing and dust: modernist circus technologies in Asia Peta Tait Pages: 149-164 | DOI: 10.1080/14682761.2018.1451945 There is a whale in the room: Pina Bausch's animals on stage Jennifer Parker-Starbuck Pages: 165-175 | DOI: 10.1080/14682761.2018.1451944 Animals in socially engaged performance practice: becomings on the edges of extinction Lourdes Orozco Pages: 176-189 | DOI: 10.1080/14682761.2018.1451948 'When the animal cannot keep up a good appearance it had better go out of the room': vivisection and theatricality in the nineteenth and early twentieth centuries Claudia Alonso Recarte Pages: 190-205 | DOI: 10.1080/14682761.2018.1451943 Book Reviews The theatre of Marie Jones: telling stories from the ground up Patrick Lonergan Pages: 206-207 | DOI: 10.1080/14682761.2016.1254414 African theatre 14: contemporary women Katie Beswick Pages: 207-208 | DOI: 10.1080/14682761.2016.1256111 Listening for theatrical form in early modern England Simon Smith Pages: 209-210 | DOI: 10.1080/14682761.2016.1256112 On repetition: writing, performance & art Nathan Hedman Pages: 210-212 | DOI: 10.1080/14682761.2016.1257686 Music direction for the stage: a view from the podium Matthew Lockitt Pages: 212-213 | DOI: 10.1080/14682761.2016.1259822 The Senecan aesthetic: a performance history Joseph Andrew Smith Pages: 214-215 | DOI: 10.1080/14682761.2016.1262601 Tennessee Williams Verna A. Foster Pages: 215-217 | DOI: 10.1080/14682761.2016.1265831 Vaclav Havel Dennis Barnett Pages: 217-218 | DOI: 10.1080/14682761.2017.1278909 To update which email alerts you receive, manage your alerts within the My Account area. Unsubscribe from new content alerts for this journal (both new issue and latest article notifications) with one click. If you need any further help, please contact us at support@tandfonline.com Please do not reply to this email. To ensure that you receive your alerts and information from Taylor & Francis Online, please add "alerts@tandfonline.com" and "info@tandfonline.com" to your safe senders list. Taylor & Francis, an Informa business. Taylor & Francis is a trading name of Informa UK Limited, registered in England under no. 1072954. Registered office: 5 Howick Place, London, SW1P 1WG.